Sunday, 20 September 2026

London Fashion Week - SS26/27 Show - Ginny Litscher covered by Charley Locatelli for @mysecretavenue & Fashiontent













Ginny Litscher SS26/27 The Hay Market Hotel London.

Ginny Litscher


Water shimmered beneath the lights of the Haymarket Hotel’s swimming pool last night as Ginny Litscher unveiled her SS27 collection. Surrounded by reflections, rippling shadows and the atmospheric sound of running water, the setting became an extension of the clothes themselves — fluid, luminous and alive with movement. 

Litscher’s work occupies a space between fashion and painting. Her prints begin as intricate drawings and paintings before being translated onto the body, and in SS27, that process felt particularly tangible. Fluid silks, sheer layers, lace, sequins and hand-painted motifs moved together with an almost liquid quality, creating garments that seemed to shift and shimmer with every step. 

The colour palette marked a distinct departure from her previous Tribe collection. Where Tribe explored vivid pinks and leopard print, SS27 moved into deeper, more elemental territory. Cobalt and watery blues, rich reds and flashes of green appeared across painterly prints and shimmering surfaces. The blues echoed the water surrounding the presentation, while the reds and greens introduced a distinctly tropical, escapist quality, as though the colours had been lifted directly from a Mediterranean landscape. 

The soundtrack began with an atmospheric soundscape of dripping water, distant chimes, wind and running streams, immediately establishing a meditative mood. As each model reached the end of the runway, they paused briefly, allowing the light from the pool to play across the garments. Sequins caught and scattered the light; silks shifted with the movement of the water. For a moment, the clothes appeared almost submerged. 

As the soundtrack evolved, its rhythm became increasingly euphoric and club-driven, mirrored by a growing energy in the models’ movements. What began as an immersive, dreamlike presentation gradually transformed into something more celebratory — a shift from quiet contemplation to the exhilaration of being somewhere far removed from everyday life. 

With its sheer dresses, shimmering surfaces and hand-painted fabrics, SS27 offered a distinctly escapist vision of fashion. The collection encapsulated the glamour of a Mediterranean holiday: sun-dappled water, saturated colour, balmy air and the promise of somewhere else. 

The only element that could not be recreated within London’s Haymarket Hotel was the shimmering blue of the sea itself, the sparkle of Mediterranean sunshine across the water and the mesmerising movement of a warm sea breeze. Yet the collection came remarkably close. Through its colour, texture and movement, Litscher transported the audience to those aspirational destinations, leaving us to imagine these beautiful creations against a backdrop of sun, sea and endless summer. 


Thank you to Ginny Litscher & @mysecretavenue for your invitation to this fabulous show and Black PR for amazing event management. 







Copy Charley Locatelli and Schelay McCarter
Photography and reporting - Charley Locatelli





Thank you Charley Locatelli for covering this show for Fashiontent and @mysecretavenue
we look forward to seeing more of your content creation at London Fashion week today
for Ones to Watch in Shoreditch London.





Charley Locatelli


©fashiontent all rights reserved

Saturday, 22 August 2026

California Reverie an editorial Fashion story by Enrico Chiaparin to sell FW 26/27 in SSAW magazine - Luxury Brand application Celine and Jil Sander











































© By Enrico Chiarparin - all rights reserved 

This project conceived on my Short course at UAL called Art Direction for Fashion for 6 weeks online.
As Enrico's tutor I was really impressed with his depth of vision for this fashion narrative product for multimedia use. 

Enrico is very experienced in the fashion industry and this depth of experience with practical creative understanding allowed him to really explore what he finds inspiring and beautiful inorder to build awareness and grow confidence about developing his visual DNA and style USP as a fashion product content creator and image maker - here is the result. 

Enrico explore the use of Ai with his visual representations of his ideas. Grok came out top though it took much trial and error top create these sophisticated visuals.


The project, California Reverie, started from the idea of creating a fashion story rooted in Southern California - the light, the desert landscape, Palm Springs architecture and a certain quiet sensuality. I was interested in the tension between something very refined and something slightly raw or imperfect.

From there I built different visual chapters: "Let It Rip," where tailoring and fluid dresses are interrupted by cuts, slashes and deconstructed details; "Wild Refinement," bringing together sculptural outerwear and unexpected leopard elements; and “Collected Treasures," where jewellery becomes almost instinctive and personal, as though pieces had been accumulated over time rather than formally styled. The photographic reference was Mona Kuhn, while Albert Frey's Palm Springs architecture helped define the relationship between body, space, texture and light.

I also used Al during parts of the development process, particularly to explore imagery, atmosphere and alternative visual interpretations. What I found most interesting was both its potential and its limitations. At times it was frustrating because Al would interpret a very precise request in a completely different way from what I had in mind. I gradually learned to work around this — changing the language of the prompts, breaking ideas into smaller instructions, approaching the same image from different directions and using little tricks to guide the result. 

For me, that became part of the experiment itself. Al can generate possibilities very quickly, but it still cannot replace the human element: taste, instinct, editing, cultural references, proportion, emotion and knowing when something simply feels right or wrong. The final direction still depends on the eye and the point of view behind it.


A little about me: I'm an Italian-American fashion designer and creative director based in Los Angeles. Over the years I've worked between Europe and the US with brands including Prada, Donna Karan, DKNY, Moncler, Calvin Klein, James Perse and most recently St. John, across both women's and men's design. My work has always moved between fashion, product, image and storytelling, so this project was particularly interesting for me because it allowed those different disciplines to come together in one narrative.


Creative Direction - Schelay McCarter